The Death of Stalin (2017) – The Emperor, the Strength and the Moon

Not only is The Death of Stalin a well-crafted political comedy with few noticeable shortcomings, it also serves—perhaps unintentionally—as one of the clearest cinematic representations of the fourth column of the Major Arcana: The Emperor (IV), Strength (XI), and The Moon (XVIII).

This triad, when viewed vertically in the classic three-row Tarot tableau, outlines a symbolic progression: wish for power and control in the mind, its enforcement and maintenance in the physical world, and its spiritual aftermath. In other words, authority imposed through force/strength inevitably leads to fear, confusion, and illusion.

Stalin’s regime is the Emperor in its rigid, hierarchical form. The brutal apparatus that sustains his rule—propaganda, fear, and compliance—is Strength. And what follows, as the system unravels, is pure Moon energy: paranoia, secrecy, and the eerie absence of truth.

Of course, this triad—the Emperor, Strength, and the Moon—is not limited to grand historical narratives or totalitarian regimes. On the contrary, it appears any time we try to impose control without grounding our actions in authenticity or love. It’s a universal pattern. Wherever control is pursued for its own sake, force inevitably follows, and illusion is the result.

Example #1 – Throwing a party

This isn’t just about governments—it can be as small and familiar as throwing a party. Imagine organizing one not because you genuinely want to connect, but because you feel you should. Maybe you’re trying to impress someone, fulfill a social expectation, or avoid loneliness. In that moment, you’re stepping into the role of the Emperortrying to orchestrate an outcome.

But because the intent lacks sincerity, you’ll likely need to apply pressure to get people there—emotional nudges, guilt, subtle manipulation. That’s Strength, not as inner resilience or patience, but as a tool for control. The party may still happen, people may show up—but the vibe will be off. The warmth won’t be there. And what’s left is the Moon: uncertainty, doubt, and the nagging feeling that none of it was real.

You won’t know if the guests came out of joy or obligation. You won’t know if the connection was genuine or just performed. And you’ll be left wondering whether the whole thing was an illusion.

Example #2 – Parenting with Control Instead of Connection

A parent, wanting the best for their child, sets strict rules and expectations: perfect grades, top performance, ideal behavior. At first, it seems structured and responsible—the Emperor building order.

But when the child resists or struggles, the parent doubles down. Consequences get harsher, rewards more conditional. That’s Strength applied as pressure—not as patience, but as enforcement.

Eventually, the child may conform outwardly, but inside there’s a loss of authenticity. The parent no longer knows if their child is thriving or simply complying. The relationship becomes clouded, driven by performance instead of trust. The Moon sets in: confusion, emotional distance, and a creeping sense of alienation on both sides.

Example #3 – A Creative Project with the Wrong Motivation

An artist begins a new project not from inspiration, but pressure: to stay relevant, to hit a deadline, to prove something. The Emperor sets the goal, the structure.

They push through the process with sheer will—Strength becomes grind. They force creativity instead of following it. The result might look good on the outside, but it feels hollow. No spark.

Worse, the artist starts questioning their own talent, their direction. The audience’s reaction is unpredictable. The whole thing feels like a foggy dream—that’s the Moon: a crisis of clarity, and a project disconnected from its soul.

This is the consequence of trying to get things done without love, without truth. The Emperor may build a system, but if that system isn’t rooted in love, the Moon is already waiting.

Final thoughts

Ultimately, this cycle—control, force, illusion—can only be broken when something gives. When the structure collapses, when the willpower runs dry, when the illusion becomes too heavy to bear. That’s when our story shifts. And it is here that we find ourselves in The Hanged Man—not as punishment, but as surrender. He represents the first true pause in the system, the moment when we stop forcing and start listening. When we let go of control, abandon false strength, and allow the truth—however uncomfortable it might be in that moment—to rise. Only through this suspension can clarity return, and with it, the possibility of moving forward not with force, but with insight. The Emperor builds systems; the Hanged Man helps us unlearn the ones that no longer serve.

Ira

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