Tag: the lightning

  • The Lightning: When God Strikes the Heart

    In the traditional Tarot, this archetype is known as The Tower — an image of destruction and divine punishment, lightning cracking the sky as people tumble from a collapsing structure. Most modern interpretations stop there, seeing it as catastrophe, awakening through shock, or ego’s fall before renewal. And while those readings hold a fragment of truth, they only glimpse the surface of a much deeper revelation. The Lightning archetype is not about ruin at all. It is about reconnection.

    To understand it, one must return to the state that precedes it — The Hermit. The Hermit represents the soul alone with itself, stripped of illusion, aware of its separation. It’s a cold, crystalline awareness: you can see everything clearly, yet feel nothing touching you. It’s the moment when purity has been tempered by judgment — when Justice has divided the world into light and dark, and consciousness stands between them, unsure where to belong.

    In that silence, when even one’s own lantern feels dim, God paints upon the emptiness. A spark — sudden, luminous, unmistakable — tears through the heart. This is the Lightning. It is not destruction from above but illumination from within. The Hermit’s solitude becomes the perfect canvas for revelation, and the brushstroke of that revelation is love.

    Everyone knows this lightning. It’s the moment you look into someone’s eyes and see light looking back — not reflected, but recognized. It’s that sudden pulse through the chest, the heart struck like a bell, as if something ancient remembered itself. The poets called it Cupid’s arrow. The mystics called it grace. Both are right. Love is the electric return of unity after the long exile of individuality.

    Where most readings see the Tower’s lightning as punishment, this understanding sees it as permission. When consciousness has matured enough to carry its own shadow — when it can stand alone as the Hermit without despair — the universe can reveal a new current. It’s as though God says, “Now that you have borne isolation, you can safely taste union.” The lightning doesn’t destroy the tower; it illumines it from crown to foundation.

    This interpretation doesn’t deny the traditional one; it simply reaches deeper into its roots. The “catastrophe” people fear is not the destruction of life, but the collapse of illusion — the false belief that we are separate. The strike of lightning annihilates the distance between self and other, between the seeker and the divine. That can indeed feel violent, but only to the ego that thought it was alone.

    For storytellers and seekers alike, the Lightning is the moment of divine re-entry. It’s where isolation meets revelation, where love crosses the gap that reason couldn’t bridge. It reminds us that the heart is both conductor and temple — that every human connection, every flash of love, is the universe restoring itself through us.

    Love, then, is not sentimental accident; it is metaphysical electricity. It is how God touches the world without abolishing free will — a flash bright enough to awaken, but brief enough to leave us choosing what to do with it.

    So when the lightning strikes, don’t flinch. It’s not the end of the tower; it’s the light remembering where you live.

  • The Hermit, the High Priestess, and the Lightning: When God Paints on the Canvas of Silence

    In the language of archetypes, revelation never comes to the crowded mind. It arrives only when consciousness has been emptied of its noise — and that emptiness is the gift of The Hermit. He is the soul alone with itself, stripped of certainty, isolated not by punishment but by preparation. His solitude is a sacred clearing. Every illusion burned away, every echo quieted, he becomes an open canvas upon which light can paint.

    The next movement belongs to The High Priestess. Where the Hermit provides silence, she provides stillness. She is seated between two pillars — one black, one white — symbols of all duality: good and evil, masculine and feminine, expansion and contraction. She does not take sides. She does not judge. Her gift is the perfect equilibrium that Justice sought but could never hold.

    Between those pillars, the pendulum of thought finally stops swinging. The Hermit’s emptiness meets the Priestess’s balance, and creation itself pauses. In that interval — no judgment, no motion, no demand — something extraordinary happens: God reveals Himself.

    The revelation is instantaneous, electric, and alive. It is The Lightning, the descent of divine intelligence into human awareness. To the mystic it is illumination; to the lover it is the flash through the heart when two eyes meet and remember their source. It is not destruction but inspiration — the sudden knowing that the separation we called “me” and “you” was only a veil. The Lightning is God’s handwriting across the sky of consciousness, the moment light enters the world through silence.

    Traditional Tarot names this image The Tower, interpreting the strike as catastrophe. Yet that reading touches only the surface. When light meets form too abruptly, what cannot contain it breaks — but the breaking is secondary. The true essence of the Lightning is not ruin but reconnection. It is the union of heaven and earth, awareness and mystery, Magician and Priestess, masculine and feminine, eye and heart.

    The Hermit’s emptiness makes room for revelation; the Priestess’s stillness allows it passage. Together they form the vessel for divine contact. When duality falls silent, the veil parts, and the universe remembers itself through us.

    For seekers and storytellers alike, this is the secret: solitude and balance are not ends in themselves but invitations. When the Hermit stops searching and the Priestess stops judging, the world becomes transparent. The next brushstroke belongs to God — a bolt of light across the canvas of silence, a spark in the heart, a reminder that love is the language through which eternity speaks.

    Thanks,

    Ira